The Church of Saint-Roch in Paris

Paris is a city of churches with over 200 stunning Catholic churches / chapels / oratories, each with a unique design and character of its own. One of our favorites is Saint-Roch, a magnificent temple that brings to mind the insistence of St. Thomas Aquinas on three properties of beauty: clarity, integrity, and proportion. 

Beauty is God's messenger and this church has wonderful harmony on all counts. Notre-Dame has a lot of crowds. A visit here is soul touching. It is a wonderful quiet corner of the city, just a brisk walk from the Louvre. The dome over the transept speaks of Heaven. 

The exuberant "new" Italian Baroque facade harkens to Rome and the Jesuit influence of the Counter-Reformation. The lower register displays Doric columns while the upper displays Corinthian columns, a nice touch and a little different from Roman Baroque. There are also beautifully placed statues on the facade. 

The church was built over a period of nearly 100 years, between 1653-1740. In 1653 King Louis XIV laid the first stone with his Spanish-born mother, Anne of Austria. The first architect was Jacques Lemercier, the king's architect. Another notable work from him was the domed chapel of the Sorbonne. As time progressed other architects also came on, all with inventive styles, including Jules Hardouin-Mansart. 

The design was inspired by the first Baroque churches in Paris, like Saint-Gervais-Saint-Protais. All along there is the influence of the Gesu in Rome, the first truly Baroque church in Rome that influenced new church construction all over the world for hundreds of years. Indeed, the new style in Paris at that time was to integrate the new Baroque churches into the city's civic and residential architecture. 

One change: Saint-Roch was built on a north-south axis, rather tan the customary east-west alignment. That being said, the layout of the sanctuary is an act of spacial genius and has thankfully been preserved from the destruction of the sixties wrecking balls.  

One of the most delightful features of the interior is that it follows a Gothic floor plan, with its kind of double ambulatory, aisles for walking around the two apses. 

The walkway reveals apsidal chapels that include two chapels directly behind the main sanctuary with an open view of their succession. The chevet chapels and multiple altars recall pilgrims churches in the Middle-Ages where many difference groups or clergy could celebrate their own individual Masses.  

The far chapel is the chapel of Mt Calvary, an elliptical space connected by a door to a disambulatory, an extension of the ambulatory that allows visitors to to walk around the sides. This chapel radiates tangentially from one of the bays or divisions of the apse. 

When viewed from a certain angle, one can see a statue of the Baby Jesus on the main altar, the arc of the covenant recreated as a tabernacle, and the Baby Jesus at the altar of the main sanctuary.

The interior is packed with eighteenth century chapels decorated with immense creativity with many interesting altars, lovely murals, epic statues, and beautiful stone and woodwork. 

Napoleon himself stood in front of this church in 1795, during the end of the French Revolution, when as a young artillery officer with the Revolutionary forces he fired a battery of canons to break up a force of Royalist forces that stood in the way of the new revolutionary government, hoping to restore the monarchy. Napoleon tragically supported the Revolution. 

Like every other church in France, the church was closed and looted during the French Revolution. Anything of value was stripped from the interior and stolen. Some items were later returned, while most was not. It is a compounded travesty because some of the most important artists in Paris had decorated the interior, artists and sculptors. Some of their works remain. The church was not reopened until 1801. 

The sacristy of Saint-Roch has an incredible collection of sacred vestments and very unique liturgical appurtenances. The treasury includes a relic of the true cross. There is also to be found an incredible set of vestments in red that were donated in 1838 by King Louis Philippe, who reigned under the July monarchy from 1830-1848. 

Hopefully all readers can visit here and pray. It is a busy parish with five Sunday Masses. The rector and sacristan are very nice and friendly. Daily Mass is offered in Latin, the perfect solution for visiting pilgrims from other countries. 


























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