Originally the church had various iterations for its apsidal fresco -- something that underwent various changes over the years, before finally being lost altogether, replaced by a monumental crucifix and what would appear to be a faux, stained glass window style frame. From the style, this would appear to have been done sometimes in the 1960's or very early 1970's.
Conrad Schmitt was brought in to resurrect some of the detailing that had previously graced this church, including stencilling, gold leafing, faux-marbling (for the columns) and most notably, a beautiful new apsidal mural depicting the Ascension and the restoration of the high altar to its one time place of prominence.
However, before we get there, we must take a look at what preceded these labours if they are to be truly appreciated. As you will see, it was still a space of beauty, if rather monochromatic.
BEFORE
| Circa 1910 -- One can see here the earlier apsidal mural showing, also, a scene of Christ's Ascension. |
| Date unknown, but you will note some differences in the apsidal design. |
| Date unknown, but still further differences in the apse design. |



