Being as it is now that time of the year again, it is an especially fitting time to share yet another ossuary church, this time the Chiesa dei Morti (Church of the Dead) located in Urbania. The church itself was formerly a domestic chapel founded in the year 1380 and associated with the Order of Friars Minor.
It was in the early nineteenth century that this chapel would formally become known as the 'Chiesa dei Morti' at which time it was also the home of a confraternity, the Brotherhood of Good Death, whose specific charism and duties were attached to the assistance of the sick and the poor, as well as to those condemned to death, and to the care and remembrance of the dead.
It is within this specific context then that one can better understand and appreciate the particular nature and character of this church.
| A processional funerary standard found within the church |
Obviously their remains could not be merely disposed of as if they were refuse, so instead these would be stored in ossuaries such as this, with some of them even being put on display, not as "decor" please bear in mind, but rather as 'memento mori' -- as reminders of our own inevitable mortality and the four last things Christian faith believes in: death, judgement, heaven or hell. In short, they were meant as spiritual reminders -- or put into modern parlance, they were 'reality checks.'
We moderns can certainly learn something from our predecessors in this regard; not only in their non-avoidance of the reality of death and what comes thereafter, but also for their charitable as well as spiritual care of and for the deceased. Memento mori.
-------
The Chiesa dei Morti itself follows this same model and included within is a series of displays featuring the mortal remains of some of those whom they care for in death.
| The mortal remains of Vincenzo Piccini seen wearing confraternity garb. |
| "Only the grave remains for me" (Job 17:1) |
A part of the purpose of the Brotherhood of Good Death was not only the charitable act of providing for a free burial for the dead, but also to provide for a register of the dead so that they would not be forgotten. This even included details of how the deceased met their respective ends.
We moderns can certainly learn something from our predecessors in this regard; not only in their non-avoidance of the reality of death and what comes thereafter, but also for their charitable as well as spiritual care of and for the deceased. Memento mori.
Do you like Liturgical Arts Journal's original content? You can help support LAJ in its mission and vision to promote beauty in Catholic worship either by:
You choose the amount! Your support makes all the difference.



